Jamie Oliver’s Fifteen: a suitable case for Ramsay’s Kitchen Nightmares?

Shortly before my wife Lisa’s birthday in April, she hinted that she might quite like to visit Fifteen, Jamie Oliver’s beach-front restaurant near Newquay in Cornwall, which she informed me had been created for a reality TV show where a bunch of former ne’erdowells and no-hopers had the chance to train as chefs. Since we were due to be staying in a cottage just down the coast in June, I understood this to be not so much of a hint as a ‘guiding shove’ and duly went online to book a table, figuring that another few quid on the mounting credit-crunch credit card bill would make little difference to my ailing finances.

Now I’ve never been a big fan of Jamie Oliver. In my 2001 comedy song “Serial Media Whores“, I referred to him as “Sainsbury’s motor-mouthed gimp” (although that was before his reality TV transformation from ‘fat-lipped twat’ into school-dinners supremo and social entrepreneur). Neither am I much of an aficionado of fine dining – given the choice, I’d rather have pub grub than foie gras any day.  But the online sample menu promised a mouthwatering selection of fresh local produce cooked to the highest standards and I was cautiously hopeful.

And so it was that last Tuesday evening we pulled up at Watergate Bay, a glorious stretch of surf-friendly sea and sand just up the coast from Newquay. Fifteen nestles in the cliff-side overlooking the bay, and is accessed from an inauspicious set of concrete steps at the corner of the beach car park. As we descended, I whipped out my Flip video and iPhone to document our visit. Unfortunately, Lisa does not share my enthusiasm for geeky gadgetry and was understandably miffed that she might have to spend one of our rare nights off from the kids playing second fiddle to a smartphone, twiddling her thumbs while I Twittered with mine. After all, this was supposed to be her birthday present.

Rightly chastened, I promised to power down all technology until the end of the meal, but my insensitive and wholly inappropriate behaviour (for which, incidentally, I hereby publicly and unreservedly apologise to my other half)  made for a decidedly frosty start to the evening.

After seating us, our waitress served up a couple of slices of freshly baked bread,  a saucer of sumptuous, peppery olive oil and a bowl of delicious Puglian green olives. Sadly, that was as good as it got. Among the lowlights of the mandatory £55-a-head, five-course ‘taster menu’ was our main of sea bass fillet (a single, paltry sliver trimmed into a square), which arrived on a bed of what I can only describe as barely-cooked chickpeas mixed with chopped herbs and peppers. Although the fish (what there was of it) was fine, the veg looked and tasted more like the kind of unappetising slop served up by dreadlocked hippies in a Glastonbury tent caff than the gustatory masterpiece of a Michelin-starred chef.

For dessert, we both plumped for a white and dark chocolate tart with cherries. Another mistake. First, the waitress informed us the restaurant had run out of cherries so the dish would instead be served with raspberries. I’d been looking forward to cherries, but raspberries were good too, so no big deal. However, we were expecting something that was at least chilled,  firm and  chocolatey. What arrived was more akin to a Lidl own-brand cheesecake that had been left on a sunny windowsill for a couple of days. It consisted of a thin crust of what seemed like crushed Oreos, filled with a runny, slightly warm, cream-coloured goo. To me, it invoked a melted Milky Bar encased in grit and infused with concentrated essence of tramp’s  feet. The raspberries fortunately helped rinse away the cloying, cheesy tang that clung to my tongue after my two ill-advised mouthfuls of tart.

It might simply be, of course, that my unsophisticated palate was incapable of appreciating the subtle combination of textures and flavours presented, but I doubt it. I’ve seen enough episodes of Masterchef to know  a chocolate tart shouldn’t emit a rancid funk. And Lisa, whose palate is far less plebeian than mine, was equally unimpressed. Not that we told our waitress what we really thought, although our frequent gagging and wincing probably gave her a clue – that and the fact we  returned two barely-touched courses.

Yes, I probably should have complained, but to be honest I was slightly wary of offending the waitress – who was attentive almost to the point of stalking. I was even more worried she might tell the chef (who, for all I knew, could have been some ex-care-in-the-community case – just one customer complaint away from a frenzied knife attack). Besides, in spite of the food, we were enjoying the waterfront vista, the funky pink graffiti and the cool lights, which hang  from the ceiling like giant suspended droplets of sea-spray. And I didn’t want to put even more of a downer on Lisa’s supposed birthday treat by getting into protracted quibbles over quality and price with the staff. I figured we’d already drawn enough attention to ourselves with our earlier domestic set-to.

Notwithstanding, it would be fair to say the whole experience was a bitter disappointment. Before the meal had even begun, we’d already been made to feel like miserable paupers by the sommelier. After quizzing us on what we liked, she asked how much we were thinking of spending on a bottle. We said somewhere around the £25 mark. She paused, looked us up and down in what we both felt was a disdainful manner and informed us that all the restaurant had in that price bracket was the house white at about £20 a bottle.

Then there were the toilets, to which I  paid my first (and fortunately only) visit just before our parting coffee . The gents in Fifteen looked more like the sort of facility you might find on the A15 – dank and dingy, complete with a basin full of dirty, soapy water, drips all over the floor and leaky urinals. Now this I did manage to get on video, so you can see it for yourself here.

All in all, then, I don’t think we’ll be returning to Fifteen Cornwall in a hurry, though I certainly think there’s some more reality TV mileage in the venture – Gordon Ramsay should include it in the next series of Kitchen Nightmares. And I’m beginning to hope Oliver doesn’t get his mitts on my kids’ school lunches. On the basis of the dining experience he gave me, I reckon they’d be far better off sticking with turkey twizzlers.

George (23m) picking up birds on an iPhone

Further to my post about the educational side benefits of my 4-year-old daughter’s iphone adventures (“If you want smart kids, show them your smartphone”), here’s a video of my 23-month-old son George identifying a variety of garden birds by their picture and call on the iPhone application Chirp.

We certainly haven’t “hot-housed” him to remember these names – after showing him the app once, he’s repeatedly asked to play with it (he’s probably done so for around 10 stints of no more than 5 minutes apiece, with me speaking the names as I let him choose and press the birds he wants to see).

Obviously, like any proud parent I’d like to think he was particularly advanced – but I also believe there’s something in the nature of this kind of fun, interactive learning which encourages even very young children to soak up knowledge.

Parental involvement and encouragement is also vital, of course, but would he learn as much from a book or flashcards? I doubt it. For a start, they don’t have the added dimension of being able to play him recordings of the birds’ calls as he looks at their pictures. He likes books, too, but at this age they don’t hold his attention for very long (he seems more interesting in ripping them up).

It’s also crucial, I believe, to allow a child to follow his or her own curiousity in a way that’s fun.  George has shown an interest in birds ever since he’s been able to point. It’s no good trying to force a young child to play with something they don’t find engaging (as evidenced by my 4-year-old Ellen’s complete refusal to play with the pointedly pedagogic ‘Phonics’ application, which may appeal to a lot of parents with its boast of compliance with UK National Curriculum guidelines, but does little to capture kids’ imaginations).

“I got those piggy bug mutation blues…”

The feverish media response to the recent ’swine flu’ outbreak inspired me to make this little comedy number the other week. After posting it on YouTube, I noticed there were already a few other videos entitled ‘Swine Flu Blues’, so now I’m thinking of changing the title to ‘Piggy Bug  Blues’ instead [edit: done]. If you like it, please rate it on YouTube (you can now sign in with a Google account). Also, it’s up on FunnyOrDie.co.uk (here), too – so if it makes you laugh, I’d really appreciate a ‘funny’ vote there as well – thanks. (Geeks among you may also be interested to know I made the backing track using the iPhone app ‘Band’, from MooCowMusic.)

If you want smart kids, show them your smartphone

A couple of hours ago, I finished putting my four-year-old to bed. Like most kids of her age, she likes to prolong bedtime as long as possible, knowing Daddy’s a bit of a soft touch. So, after several stories and songs, she starts with the questions. Tonight’s opening gambit was: “Daddy, what does a mosquito look like?” (She’d earlier heard me say I was bitten by one the other night.) I tell her it’s a bit like a fly, only with a smaller body, longer legs and a needle for a mouth, which it uses to suck your blood. “Can I see a picture of one on your phone?” I whip out my iPhone and call up a picture of a mosquito on Google Images. “How do they bite you?” she asks.

“Would you like to see a video of a mosquito biting someone?” She squeals an excited “yes”. I pop up the YouTube app and search for ‘mosquito biting’. Sure enough, I find a video of a mosquito perched on someone’s finger biting them and then flying off. I show her, pointing out what’s happening in lurid detail and explaining in a toddler-friendly way why they do it, how you can repel them and how you can treat their bites. The Q&A continues for ten minutes or so, with me able to answer all her questions instantly with real-time multimedia accompaniment. We touch on malaria in Africa, mosquito nets, antihistamine and immunisation, at which point – curiosity satisfied for the night – she settles down.

I don’t mind being suckered into prolonging bedtime for a few minutes when she is clearly not only learning things, but more importantly learning *how* to learn things, in a way that’s both accessible and fun. She knows the difference between Google, Wikipedia and YouTube, and which on-screen icons to press to call them up, even though she cannot yet read or write. She knows I can show her a map of anywhere, instantly, and ‘fly’ over the satellite-photographed terrain of Google Earth. She knows she can look at her friends’ houses on Google Streetview and deftly navigates the 3D scenes on the phone’s touchscreen. In a few years, she will learn that she can learn even more by connecting to people all over the world on social networks such as Twitter.

Our night-time discussions over the weeks have ranged from art to astrophysics, animals to animation, geography to geopolitics, biology to ballet. She knows there’s a device in Daddy’s pocket that can show her almost anything she imagines and help satisfy any curiosity. It encourages her to ask more questions and to learn even more. Yes, she also knows she can watch ‘Charlie and Lola’ and other CBeebies favourites on BBC iPlayer, or play Disney Flying Fairies. Often I let her. Entertainment and play are equally important to a child’s mental, physical and social development as education – and, indeed, they are not mutually exclusive. But TV and computer games take their natural place among the myriad playtime diversions of painting, Play-Doh, make-believe, music, dancing, toys and rough-and-tumble with her 23-month-old brother (who, incidentally, is also able to manipulate my iPhone fairly deftly – his current favourite apps are Dice, Snozzle, MooBox and Brian Eno’s visual music generator Bloom).

There are those who think introducing such young children to computers, the Internet and mobile phones is horrific, that it somehow ‘spoils’ them, that the ‘instant gratification’ enabled by new technology is a curse of our modern age, that we are bringing up a generation of helpless, tech-fixated drones. They are mistaken. With appropriate parental guidance, the web in your pocket is your kids’ gateway to all of the world’s knowledge, achievement, creativity, aspiration and inspiration.

Will those who grow up with this technology take it for granted? Of course. We, on the other hand, should not. Because – as long as we steer children in a way that stimulates both their curiosity and confidence – today’s technology can help bring about a future where human beings are not only better informed, but better equipped to meet the huge social and environmental challenges facing the planet.

*    *     *

As a footnote, when I read earlier today that the UK Government had backtracked on proposals to teach social networking in the classroom following an outcry from the technologically illiterate and tabloid tub-thumpers, it saddened me. For without proper education and guidance, the potential of new technologies to enrich people’s lives will be realised only by the few, not the many. And *not* giving people the skills to find things out for themselves is far more likely to result in the kind of drone-like, socially disengaged population that the ill-informed Luddites rail against so passionately.

A new blog: The New Game

While I’ll continue to use Mortlemania to post my personal ramblings, odes, songs and geek musings, I’ve also  started a new, more business-focused  blog over at http://mortleman.net. “The New Game” will  explore the momentous changes we are likely to see in business and society as a consequence of the technological, economic and political shifts now under way. Those of you who believe, like me, that the successful organisations of the future will be based around open collaboration, social responsibility, honesty and  responsiveness might like to check it out.

See friends’ Facebook statuses on your Twitter timeline

(…and selectively update your own Facebook status from Twitter)


So, you have all these old mates, school chums, far-flung family members and former colleagues using Facebook who definitely don’t share your geeky proclivities. You’d like to keep up-to-date with what they’re up to, and let them know what you’re doing, but you don’t want to have to visit the godawful spam-bucket that is Facebook. You want their Facebook status updates to hit your Twitter timeline as they update (or soon after), right? And at the same time, it would be useful to be able to update your Facebook status selectively from Twitter, so (for example) Auntie Mabel can see when you’re drinking a quadruple espresso but isn’t sent into a headspin by all your unfathomable @replies, hashtags and RTs.

Well here are a couple of workarounds that will stop you needing to visit Facebook ever again (except perhaps for the odd game of Scrabble). The first lets you see your friends’ Facebook status updates (within about a half-an-hour of them updating) as separate tweets on your Twitter-friends timeline, all without compromising their privacy (or, indeed, Fb’s privacy policy). I’m sure I’m not the first to figure this out, and there are no doubt other ways to do it, but this works well for me…

1. Friends’ Facebook status updates to Twitter:

  • Log out of your usual Twitter account (henceforth called ‘yourname’) and create a new account, which we’ll call here ‘yourfbfriends’. (You will need to use a separate email address from the one you used to create your original twitter account.)
  • Go into settings and check the box ‘protect my updates’ – this will ensure your friends’ updates can only be seen by you, and not by any Bot, Dick and Spammer.
  • Upload an avatar if you want one, then save settings and log out.
  • Log into Facebook and grab the RSS feed URL of your friends’ status updates. (To find it click on the “Friends” tab – then in the left-hand navigation pane you’ll see a link to “Friends’ Status Feed” under the heading “Subscribe”.)
  • Go to www.twitterfeed.com and create a new account. (You will need an OpenID to do this. There are instructions on the site about how to obtain one, or a new one if you are already using Twitterfeed with an existing Twitter account.)
  • Enter the Twitter username and password of your newly-created yourfbfriends Twitter account.
  • Enter the Facebook Friends’ Status Feed URL into the feed box.
  • Verify the Twitter account and feed URL are valid by clicking where indicated.
  • Use the drop-down menus to set up Twitterfeed. (I get it to check the feed every 30 mins, include up to 5 items, and to show both ‘title and description’.)
  • Save settings and log out of Twitterfeed.
  • Log back in to your normal Twitter account (yourname) and request to follow the new protected account you created (yourfbfriends).
  • Log out of yourname and back into yourfbfriends.
  • Accept yourname’s request to follow yourfbfriends then log out of yourfbfriends and back into yourname.

That’s it – except remember not to accept any other requests to follow yourfbfriends. After all, you don’t want to let any casual tweet-scanning criminals know that your Auntie Mabel’s just remembered she left her front door unlocked when she left the house this morning, now do you?

2. Update your Facebook status selectively via Twitter:

This has been fairly widely covered, but I’ll run through it here again for good measure. If you tick the standard Twitter-Facebook ‘Allow Twitter to update my status…’ permission box, your Facebook status will be crudely updated by *every* tweet you send, which can be confusing and annoying for your non-geeky Facebook friends.

Instead, find and install the Facebook application Twittersync and go to the settings page. Set it up to filter your tweets as required, then it will only update your Facebook status with your selected tweets.  You can use regex if you want to get clever about it, but I simply put an ‘@’ in the “‘Filter tweets containing” box. That automatically filters out any tweets containing @replies or references to other twitter usernames. If I then want to filter out other geeky tweets, I simply make sure I stick an ‘@’ character in them somewhere.

Fancy animating my latest CC-licensed grotesque comic ode?

Just posted a YouTude video of me performing my comic verse “Donna McGonagall”, a freakish, fishy tale about the perils of ill-advised cosmetic surgery (embedded below). I think it lends itself to a narrated animated short, so if there are any budding animators out there who share my sense of the the comedically gory and grotesque but who find themselves lacking in a storyline and audio for their next project, maybe you’d like to have a go at animating it. The ode is licensed under a Creative Commons (noncommercial-attribution-sharealike) license, and I plan to provide a higher-quality audio track (re-recoded on a pro mike) with sound FX if anyone’s interested – let me know if you are.

FOWA London 2008: Ominous Undercurrents and Hopeful Horizons

FOWA London 2008

FOWA London 2008: on target?

Prior to last year’s FOWA London, I wrote a post outlining my hopes and fears for the conference. At the 2007 event, there was indeed much talk of making big bucks and not so much about big, critical ideas like open social computing. Nonetheless, there was undoubtedly a huge buzz of excitement in the air at FOWA 2007 – everyone seemed to have a sense that they were helping to forge a new web which really could change the world forever – and I came away invigorated and inspired by the creativity and entrepreneurialism on show. (It even spurred me to versify.)

This year that palpable sense of excitement was noticeably absent, but in its place emerged a more thoughtful introspection about what really matters. The need for interoperability and data portability, for example, was vocally supported by many speakers and delegates, which was good to see.

But against a backdrop of catastrophic economic news, day one’s conference sessions made barely a reference to the fact that the until-now-successful model of many Web 2.0 start-ups – bootstrap, build, be aquired – is today looking decidedly shaky. It’s hard to get excited about developing something for the investment dollars when you know those dollars are going to be in increasingly short supply. Ben Huh of icanhascheezburger.com gave the best speech of the day, on the power of community, and most attendees I spoke to thought the same. He said his success with LOLcats had completely surprised him and advised attendees to do something they were passionate about and hope it chimes with others. Simon Wardley’s was the day’s other stand-out speech, offering a comprehensive overview of the bigger picture of business innovation. (Simon also chaired the business track on both days with considerable flair.)

Day two of the conference, however, was much better overall than the first, largely due to the tone set by opening keynote speaker Tim Bray of Sun, who wisely tore up his planned speech to focus instead on the implications of the economic crisis for the Web development and start-up community. “I’m scared,” he said. “I think the future of web applications is fairly dark at the moment because the future is fairly dark…I predict some really shitty times coming at us for a while.”

shooting from the hip

Sun's Tim Bray: shooting from the hip at FOWA London 2008

Despite the initially apocolyptic tone, Bray gave some useful and hopeful pieces of advice to improve attendees’ chances of survival and happiness in the times ahead. Essentially these were:

  • Agile project development is the only way forward (there’ll be no sign off on big projects).
  • Open source software can keep the cost of projects down.
  • Get in the cloud – but be wary of supplier lock-in.
  • Become part of the conversation – engage with customers, etc, online through social networking platforms.
  • Think about the technology infrastructure needed to support the scalable, transparent system of regulatiion that’s going to be needed as a surge of regulatory pressure comes down on business and finance.
  • Legacy skills are going to be in demand – particulaly putting web front-ends on old systems.
  • iPhone, Android, etc. open up the mobile phone network to developers – presenting major opportunities.
  • Build something for yourself – follow your passion rather than trying to fill a need.
  • Stay away from VCs – they have very little of value to offer you and substantially decrease your chances of success.
  • Stop believing in technology religions and broaden your skills – e.g. developers should learn to design and designers should learn to develop – it’ll improve your job security.
  • Contribute to an open source project.
  • Contribute online – publish, comment, blog, add to Wikipedia. “If you don’t care enough to contribute to the web, why would anyone want to hire you?”
  • Network – talk to each other and build new connections, both physically and online.

After his speech, the conference seemed far more relaxed and content with itself. Okay, there may have been an element of people only finding their feet after the first day (and first-night party), but I suspect Bray was primarily responsible for the change of mood. It was as if he had finally unleashed the elephant in the room – and delegates could suddenly see themselves riding on it rather than being trampled underfoot.

* Overall, the event went extremely well, and I’ll blog more shortly about the conference, as well as the expo and social side – including live Diggnation and the post-event party. A big thank-you, too, to organiser Carsonified, who made sure the whole thing ran with an impeccable level of both technical precision and creative style.

You can see my full Flickr set of pictures from the event here (although I’ve not had time to add descriptions yet), and all my tweets from FOWA here.

If you’re at FOWA London…

…on 9th and 10th October, come and say hi if you see me.  I’ll be the balding, shaven-haired lummox with the overstuffed brown backpack, SLR round his neck, a very large black coffee balanced precariously on his knee while attempting to tweet on his iPhone (at least, for as long as the battery holds out, which it won’t unless I can grab some juice). Oh, and I’m @jimjar, if anyone wants to tweet me rather than risk having hot coffee clumsily spilled over them.

Anyway, now the move’s done and dusted, and my son George has passed through the merciless-sleep-depriving stage, I should have more time and energy for blogging/podcasting than in recent months. And I’m expecting FOWA to give me plenty to ponder and pontificate about. But what I like best about the event is that it gives me the chance to connect with lots of interesting, smart, creative, tech-savvy people brimming with ideas and enthusiasm. So don’t be shy – come and say hi. You can even have one of my cool Moo minicards (which feature, variously, my 3-year-old daughter’s “art”, a friend’s fluffy white cat in shades and Wordles of Lessig and Lennon.

My iPhone 3g apps – initial round-up

I’m taking a busman’s holiday over lunch to write a quick round-up of some of the apps I’ve installed so far on my new iPhone 3g. Hope it’s helpful for other users bewildered by the array on offer. They’re in no particular order.

iFob

Groundbreaking ambient networking app that allows you to broadcast a mini-profile and connect/text-chat with other users physically close to you (it bleeps you). At the moment only works within a WiFi hotspot – so useful for meeting like-minded folks at conferences, clubs, coffee shops, pubs, etc. Also currently needs no central server to work, which is neat. But it’d be even better if it worked on the basis of your location whether you were using 3g or WiFi and bleeped you when you were within a specified distance of another user. Nonetheless, a pioneering app – we’ll doubtless see more stuff like this in future. [Update: Well, at least we will if Apple deigns to allow background running of apps on the iPhone with a future firmware update. This app does have a 'run in the background' option, but I presume this only works within WiFi hotspots, if at all (not had a chance to test it yet). To work to full potential, iFob would need to run in the background all the time - over WifI, 3g or Edge networks.  So currently it looks like other, less restrictive smartphones will prove a more fertile breeding ground for apps of this ilk.]

[Developer: iCloseBy.com, FREE]

Shazam

Amazing little app that listens to a song in the background wherever you are for about 12 seconds and then identifies it for you. I tested it on some really obscure tracks and it only failed once (with Philip Jeck, an experimental noise artist). A real ‘wow factor’ about this one. Only works with recorded tracks, though, so it wouldn’t ID songs at a gig. Doesn’t work if you sing into it, either, in case you were wondering…

[Developer: Shazam Entertainment, FREE]

Vicinity

Checks your location and lets you see wikipedia articles relating to the area you’re in, as well as details of nearby banks, bars, pubs, cafes, convenience stores, hotels, restaurants, supermarkets, takeouts and taxi firms. Nice interface and works pretty well, but it obviously bases the info on nearest town/village “as the crow flies” rather than necessarily the one you’re in. It told me I was in nearby Leytonstone instead of on the edge of Walthamstow and made its recommendations on that basis, meaning none of my local services, cafes or pubs appeared (although it did include wikipedia articles on my area). It also needs to include petrol stations. Nonetheless, should prove very useful when out and about, particularly in major cities.

[Developer: ActiveGuru, UK price £1.79]

Byline

Grabs feeds and full stories from your Google Reader account for online or offline browsing. Useful as a stop-gap until Google brings out an official Reader app or webapp, but for a paid app it should really give you more customisation/user-related options – e.g. browsing your individual feeds and letting you share/star items etc. There are other free RSS readers available if you’re not wedded to Google Reader, which would probably be a better bet in that case.

[Developer: Milo Bird, UK price £5.99]

Last.fm

A killer app for me. Great functionality. Free. Listen to your own or any last.fm stations over WiFi or 3g. Features track scrobbling, groups, etc. too. Top marks. Now, if only Apple would allow the iPhone to run apps in the background while you do other tasks…

{Developer: Last.fm, FREE]

Tap Tap Revenge

Great little (free) beat-matching game where you have to tap or shake the iPhone in specific ways in time to various tracks.

[Developer: Gogo Apps, FREE]

Pianist

Full 88-key piano on your iPhone with sustain and soft pedals and song-recording features. Uses multi-touch, so you can play chords. Difficult to scroll the keyboard while playing though, since the app only shows one octave on the screen. It’s also a little annoying that you can’t trigger two adjacent keys simultaneously by hitting the gap between them, as you could on a real piano – you have to press each with a separate finger. Otherwise very good.

[Developer: MooCowMusic, UK price £3.49]

Band

By the same developer as Pianist, Band features a rock drumkit, bass guitar and more basic piano than Pianist. Also has a ‘Blues Bar’ with pre-programmed blues riffs, a second drumkit with pre-programmed funky rhythms and an ‘audience applause’ sound effect. You can record individual parts and merge them into a saved composition. Superb.

[Developer: MooCowMusic, UK price £5.99]

Enigmo

Fantastic puzzle game of the Lemmings variety, except you have to guide a stream of water droplets into a container. This is the game I’ll be playing the most. Addictive, great graphics, quirky physics, gets the grey matter working and easy to get the hang of. Some of the reviews posted in the Appstore bemoan the lack of instructions. They seem to forget the title of the game is ‘Enigmo’ – figuring out what the various tools do is all part of the challenge.

[Developer: Pangea Software, UK price £5.99]

G-Park

Handy little location-based utility that remembers where you’ve parked your car (or just where you are when you press the button) and guides you back to it when you want.

[Developer: PosiMotion, UK price 59p]

BBC iPlayer (web app)

Works fine when you find something to play, but it only plays the shows that are available as streaming video on the Beeb website (a handful of the total programming on iPlayer). The interface, however, is abysmal and there’s no easy way to see a list of those programs that are available on iPhone. Only when you find and click on the programme you want will you know if you can watch it (because a little play button appears in the middle of the window if it’s available). Needs some serious work on the interface, this.

[UPDATE: I was wrong. Had a bit more of a play with this and if you click on the 'find programmes' button in the BBC iPlayer box it does indeed only list programmes available to view on iPlayer - it can just take a while for the play button to appear on the thumbnail. There seems to be more here than I originally thought, too - still only a fraction of the complete content, but more than is available in streaming format on the website I think. However, the interface still sucks - the prominent Google ads are very obtrusive, especially. But, heck, I know the Beeb needs all the cash it can get, and as long they keep pumping out great content I won't moan any more about this.]

[Developer: BBC, FREE web app]

Right – lunch break over, so that’s all for now. I’ll try to augment this list later in the week, when I’ve had a bit more of a play around. Now, back to the grind…

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